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First and foremost, a great relief -- after two and a half days of many dealers, test drives, models and prices, I chose a Toyota Highlander. It will take us on our future travel adventures in total comfort. Unlike my previous 2000 Nissan Maxima, which I pledged to drive for 10 years or 200,000 miles, I made no such pledge this time! This is a big vehicle for me and after a few years if I want to go small and sporty, I'm making that clear right up front to the big-is-better vehicle lover in our house.
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Meanwhile, even though I'm leaving again tomorrow for the holiday weekend, I just had to spend some time at my studio today, even if only for the afternoon, to test out these amazing new brushes. I purchased them at the Surface Design Association conference. The vendor, Ying Zhou, is a potter from Philadelphia-- she makes each brush by hand. Before purchasing, I was able to try out the brushes with water on a special plate that shows the marks each makes. Each brush has its own character and a slightly different feel to it, even though some may be similar sizes.
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This bamboo brush intrigues me. The end of the piece of bamboo has been split so the actual fibers of the bamboo form a brush -- much like chewing the ends of a stick to create a crude brush and with a light hand, the marks of the individual fiber are apparent on the paper.
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This is the largest and most expensive brush that I purchased; it has a full head that makes broad strokes but has that wonderful long tip for ending or beginning lines with a narrow flourish.
The overwhelming need to explore making marks with these new brushes came into focus particularly so today because I happened onto a marvelous blog this morning called "tackad," written by artist Dean Aldrich in Horseheads, NY. Dean's post on
"Carved Calligraphy" includes a You Tube video of Elliott Puckett's new exhibition at Paul Kasmin gallery in NYC. Of course I love the flowing lines and movement the artist creates, as well as how she literally carves the lines into the gessoed board. Wonderful work.
Dean's blog is a veritable gold mine of text, mark and abstract calligraphy references -- and I am eager to revisit it after the 4th of July weekend with family, where once again I will have no internet or cell phone service. Our little cottage is a great place to go unplug; but I've already had enough unplugging for a while, so will be happy to see the light of my computer screen once again on Sunday.
I saw those brushes! They're lovely. Are they only going to make those kinds of lines on paper? I wonder how they'd do on starched silk. Very pretty!
ReplyDeleteHi Mandi, I will have to keep practicing with the brushes to get the feel of what they can do, move from paper to stretched silk next.
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