Resolving the Red

I've edited, re-edited, added, deleted and all around fussed over this piece -- now called "Parables"-- like a teenage girl for a first date. But spending some time considering my options for the final details has paid off -- I like the results. A student and friend wrote and asked me if I revise every piece this much. Because layering is an important process in my work, I often do and that's why I posted the pictures of the evolution of "Parables." I would love for you to believe that I can magically compose the elements and layers for the best visual impact the first time I try. In reality, each new piece evolves as I work on it. So do I --the lure and "sweet pain" of the creative process! There isn't just one visual solution to resolve a composition, there are numerous options. As the artist I work until the composition comes together to the best of my ability.

So how did I resolve this piece to my (present, at least) satisfaction? The first thing I did was to create Thermofax screens and screen print repetitions of fragments of the printed white text in opaque red (I use Setacolor opaques).

Next I grabbed my trusty Aurifil cotton thread (12 wt.) and free motion stitched to create my final lines. It worked well against the slightly darker red silk net beneath it and added a textural element that contrasts nicely with the smooth printed silk broadcloth surface around it. The color contrast works well too.
The marks made by adding hand stitching are visible when close to the piece and add an interesting detail. Needle Necessities makes a variegated six-strand cotton floss that I use a lot for hand stitching.

I used a black 28 wt. Aurifil thread to hand stitch the fine lines for the threadwork that accents this area.

"Parables" heads off to Andrew, my talented photographer, this afternoon, and then I'll start work on the second piece and see if this remains part one a diptych.