Seeing, Feeling, Expressing

Your vision will become clear only when you look into your own heart. Who looks outside, dreams; who looks inside, awakens. --Carl Jung

After enjoying hundreds of visitors who came to my studio last night for First Friday, I realize just how much of an equation there is between making art and sharing it. That exchange feels magical when what we make is well received by others. We encounter that energy in concerts, in live performances and sporting events. Athletes, actors, dancers, musicians all perform to audiences and whether small or large, our creativity comes full circle when shared. 

For many of us who are makers, our creative selves are always reaching. I’m feeling an internal desire now to focus on emotional content in new work.  What is it that makes some pieces evoke a deep emotional response?

Colors, shapes, lines and textures can communicate feeling, either what the artist feels internally or their responses to the world around them. The Abstract Expressionists of the 1950s believed the best way to express pure emotion was to create nonobjective or totally abstract artworks. They saw the use of colors, shapes, lines and textures as vital to expressing deep emotional states.

What feelings or emotions do you wish to express through your works? How do you choose color, shape, line and textures to communicate those? 

Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen. ~Leonardo da Vinci

Mindful Marketing Practices, Step One

 AUDIENCE 

       This image is from http://www.flickr.com/photos/chicagogeek/4333114156/

 Since I’m endlessly curious, clearing my mind to practice mindfulness is important to me. So are setting intentions. I started this year with a personal vision quest – eight full days -- through snowstorms and subzero temps (in Chicago, I’m told, the zookeepers even brought the polar bears indoors!). 

 My retreat unfolded this way. First I happened onto a self-inventory called "The Gifts of 2013" from Susannah Conway. I spent New Year’s Day writing until I had filled it all out.  When I reviewed what I had written about the pluses and minuses of 2013, I savored the confident, positive woman I saw reflected back to me.

 A few days later I met with two fellow artists with long corporate careers and much expertise to discuss our desires and directions for 2014. I acknowledged that I am very savvy about marketing for others but not on my own behalf.  Could I change that mindset and still be true to my own values? Indeed I can.

As I take steps this year to make my work more visible, then my audience -- those people who will invest in my works -- will find me. How can people purchase my work if they don’t know it exists?

Just who is my desired audience? As I visualize them, here's what I see:

• You appreciate contemporary art. It ignites your interest and delights you. You surround yourself with original art in your home and office.

• You have confidence in your taste. You trust your instincts.

• You're informed. You learn about the artists who interest you.  If possible, you visit their studios and connect with them personally.
• 
  
•  You're comfortable with contemporary art. You make it a point to visit museum exhibitions and gallery shows because you enjoy learning.  You spend time with a work to really see and appreciate it.

• You share your enthusiasm for the arts and artists with your friends, family and co-workers. You may be low-key about it but you are definitely an advocate for artists. 

• You think for yourself. You enjoy purchasing art that will increase in value but you don’t make your purchases based on profits. Today’s stars come and go in contemporary art as in music and movies; you choose to buy art that captivates you rather than follow trends and passing fads.

• You are a genuine, compassionate and interesting person. You probably wouldn’t find visual art appealing if you weren’t!

My audience is out there – and since I  have a clearer idea of who they are, it will be easier to develop ideas for how to reach them.

 

 

2009 Setting Intentions Progress Report

Being an artist is marvelous -- it just doesn't always lend itself to a lot of personal interaction. I get so absorbed in my work that I begin to suffer from Human Interaction Deficit Disorder (I'm sure this will appear as a drug company commercial on television soon!). In other words, sometimes I manage to make my rather solitary life rival a Jesuit monastery!

Because I recognized the need for greater connection and community with other artists, I included images and word associations to address this in 2009 when I created a Vision Board. Have you ever tried this? Making a Vision Board is a powerful tool to attract what you desire into your life; I learned it decades ago but let it slide away from being a practice.

So for 2009, among the many intentions I am setting in motion, I included images and words on my board to represent attracting new associations with other artists.

How is my intention-setting working out so far? Amazingly well. The Law of Attraction is definitely at work. Here are a few examples:

One of the new artists I've met in my building is Connie Mauro, who has a monoprinting studio and gallery on the second floor. She is putting up our cut and paste ideas at this recent meeting where we were brainstorming possible names for our artists' collective.

1. I've had a studio in the Hungerford Building, an old factory in the city for at least seven, maybe eight years, and once or twice a few of us have held small exhibits here, but nothing building-wide. Shortly after I set my intention to increase my connections with other artists, I received an invitation from the amazing potters at Crocus Clay to a building-wide meeting to discuss and plan a proposed joint open house.

As a result, we coordinated a first -- and very successful -- Hidden Hungerford Artists open studio night in March in conjunction with the already popular First Fridays in Rochester.

Our committee continues to meet and work to help plan future open houses and build a group identity. Yes, it feels as though our building and artists are putting ourselves "on the art map" in Rochester, but even better, we're getting to know and enjoy each other.

2. Fiber Art Alliance

Shortly after I set my intentions for 2009, I received an invitation to become a member of a new online exhibition group of 11 fiber artists. Our founders are Karen-Stiehl Osborn, Rosemary Claus-Gray and Jacque Davis. This year the artists in the group are making three small works each that relate to the theme "Natural Lines", and will have a collection of 33 pieces available for exhibition and sale by the end of the year. I will get to meet three of the members in the group at the Surface Design Association Conference in just a few weeks!

3. Rochester Area Fiber Artists (RAFA). I agreed to serve on a steering committee to help this loose knit and rapidly growing group develop an organizational structure. It's been wonderful to be part of this committee and get to know some of the newer members of RAFA better.

4. Responding to blog comments. Because it takes so long to write a blog post, I have always held back on responding to any posts from readers. But -- light bulb! -- that's part of connecting with the people who read and care enough to respond to what I'm doing. Writing this blog has already brought some great new e-mail art friends into my life and I'm now responding to those of you who take time to post comments on my blog.

A variety of other fortuitous connections and encounters are strengthening the ties that already exist with some artist friends and helping to build some new ones with others. I am appreciative both that I've recognized my need for more time with other artists and that the new artists I am getting to know better are such interesting, talented people.

Finding Calm

Pages 3, 20" x 21", silkscreened, dyed silks. Reverse applique, raw edge applique, stitching.

Armed with focus, determination and an impressive plan for my artwork this year, I envisioned producing the next group of pieces in the Parables series in high gear.

Normally, when I start creating a new piece,I go to sleep with a question and wake up with an inner image in my mind of where to begin. That idea either works or leads me to one that does.

This time, however, the Mt. Everest of ideas surrounding language imagery felt like a tangled mess. My mind kept racing, ideas kept piling up and competing -- no clarity, no focus, no "seeing" a clear idea to begin the new work. Just more and more ideas competing for attention.

Clearly,a curious and troubling situation, but only in that one direction.

Work with the Seeds pieces bubbles with excitement, focus and productivity. The small work above, completed this weekend, investigated a number of new options.

Here were the "what ifs" it explored: What would colored threadwork look like on the black and white printed surface? What if I layered two fabrics on top of one another and cut through some of the seed shapes to reveal the fabric underneath? What will a strong golden yellow look like as a contrasting color? How would it work to add a single french knot at the center of each seed shape?

This small work excites me with even more new options. So it isn't my creativity that's suffering, it's something else that's going on with the language imagery.

Eventually I recognized yesterday I needed to take all that unpleasant and distracting burble of ideas in my head and spill it out on paper.

As I wrote, my inner churning and chattering began to quiet.I began returning to that inner balance point that is so crucial for me. I need calm.

I think I revved up my inner engines to take on 2009 and create new language pieces like a racer in the Indy 500. But all I started doing was spinning my wheels and overheating in the pit.

I'm throwing out the whole idea of speed and action. Instead, I'll visualize a quietly flowing stream and me moving along with it. If new Parables pieces aren't ready to emerge, I'll give them the time they need.

We all talk about trusting our process. Right now I have to live it.

Everything Connects

These are BillDings, one of my favorite toys when I was a child. And yay, they're back again in the toy market.

Note the amazing feature of this simple stacking toy -- the slots allow them to connect in multiple, unexpected ways.

Oddly enough, even just looking at this image of them again makes the child inside me hugely happy. These clown like figures have huge smiles on their faces as they hang upside down and balance on each other's shoulders, arms and legs. These little guys inspire creativity!

And they have real life counterparts!

This weekend my husband and I attended the Rochester Philharmonic Orchestra's Pop Series performance, "Cirque de la Symphonie".

Fortune smiled on us with tickets in the second row while former Cirque performers joined the orchestra onstage and performed stunning acts to each musical selection. Being so close allowed us to see and appreciate their tremendous focus, concentration and physical prowess.

Alexander Streltsov's stunning, aerial moves on silk were one of the many excellent performances of the evening. Watching him soar as silken fabric rippled and billowed around him and the orchestra played a "Star Wars" piece felt magical.

Each act and performer drove home the same message to me. Every art form takes discipline, patience and practice. The artist repeats moves and gestures over and over and over until the sheer force of repetition burns them into memory.

Watching the tremendous concentration and focus in the performers' eyes and faces even as their diaphragms heaved and muscles trembled from exertion, I can appreciate the practice that goes on daily behind-the-scenes to create that seemingly (unless you ARE in the second row!) effortless defiance of gravity.

What do Cirque acrobats performing with our area symphony offer me as inspiration for my daily artistic practice? First, stimulation. Our artistic selves thrive by watching, listening to and appreciating other artists.

Second,the recognition that the ingredients to accomplishment are the same. Desire and practice build our expertise in our chosen field, whether that is playing the tuba, juggling or oil painting.

Third, putting something out into the world from our creative centers is not a matter of how large or how small the rewards are. The concert program, by Cirque de Soleil standards, was tiny, with just one or two performers on stage at a time. Yet I was entertained and satisfied and delighted with this "bite size piece" of Cirque's dazzling choreography and physical artistry.

This means that practicing our art form, whatever it may be, from a place of passion and attention can have as much worth and impact on a small stage as in a large, lavish production.

Simmer and Stir Often

January's creative soup is simmering nicely on the front burner, a tasty blend of exhibiting, creating new work and chopping up MARKETING into small, bite-sized pieces.

Pat Pauly, a gifted artist whose work has been juried into the prestigious Quilt National exhibition, led the installation of RAFA's (Rochester Area Fiber Artists) newest exhibit at the Arts and Cultural Council on Monday. Forty-three artists' works are on display from January 6-30, 2009 in "New Year, New Directions," at the Council Gallery.


The space is wonderful. If you live in the area, please come to the opening reception on Friday, January 16, 5 - 8 PM. The gallery will also be open all day on Saturday, January 17, 10-4.


On the creating front, I'm completing the second "Seeds" piece, now titled "Seeds of Change." As this detail shot of it in process shows,I'm adding more color as well as choosing more saturated colors to accent the grayscale ground. Most of these seed shapes are just pinned on; next I will stitch them down and complete the piece.

I'm also beginning a concentrated expansion of language imagery and techniques for incorporating letterforms in my work; more to come about that soon.

Another ingredient that I'm stirring into the soup pot is marketing. Webmaster Holly Knott just completed adding current and upcoming exhibitions and several new pieces to my website. Next task will be creating a database for mailing lists to mail out postcards for future exhibitions.

The soup pot is also getting lots of spice from the inspiring coaches and motivational books that I've been gathering. Numerous coaches and websites offer newsletters and tidbits of valuable information; all of them help me stay positive, focused and action-oriented. Step by step, action by action, I am actively engaged in moving my artistic life forward.

Yesterday's mail brought three books to read: Ellen Langer's On Becoming An Artist, Visioning by Lucia Capacchione, Ph.D and Coaching the Artist Within by Eric Maisel. I'll let you know how they stack up once I read them. For some years I was very critical of self-help books, but now I see them as tools to help me stay upbeat and charged with positivity. That positivity imbues the seeds of confidence that are growing inside me; I now truly appreciate those individuals who choose to dedicate their lives and their energy to helping others actualize their dreams and desires.

All these various activities and actions all go into the pot -- the ideas, the e-mailed tips and newsletter updates, the affirmations, the appreciation lists, the visualizations -- and the day to day showing up in the studio to do the work. What an aroma to inhale, and what pleasure to be cooking up something wonderful through these wintry January days.